Vlog: reviewing Dan Brown.

You've probably read my review of the Da Vinci Code, if you're a long time fan of the blog. If you're not, well, this will be entirely new to you. There's additional content at the end, by the way. Just for fun.

Pricing, royalties, and Createspace

Before I begin, I should probably mention: Declan Finn has an Amazon.com author page. And two five star reviews.    And another one on A Pius Man.  Go me. :)

So, now that I've published the book, the one question I've gotten has been: "So, how much money do you make from this?" Alternately phrased as "What way of selling makes the most money for you?"

Well, that's a funny story.

First of all, you may have noticed my above links. I have different tabs for different pages -- in particular, Amazon.com and Createspace. Why is that? Here's the reason.

My first book book is $14.95. No matter where you see it, it's $14.95. In Great Britain, it's £9.55 ... which is $14.95, as of this writing. In Europe, €11.88. How much of that do I get? Depends on where people buy it.

If people buy an Amazon.com paperback, I get $5.22. If people buy it on Kindle (at the price of $9.99), I get between $3 and $7 (it's a long story, I either get 30% or 70%, depending on multiple factors). The same goes for the equivalent exchange rate in the UK and Europe.

If people buy at my original publishing website, Createspace, I make more money ... a whole $8.21 per book. It doesn't seem very impressive, but trust me, when you start selling a few dozen copies, that extra three dollars adds up quickly.

And here comes the reason why the publishing companies are in trouble, comparatively -- I am allowed "Expanded Distribution," which means my books are available at brick and mortar locations, such as bookstores, libraries, academic institutions, other online retailers, that sort of thing.

However, that way, I only make $2.23. Why? Think about it -- there are logistics involved, transportation fees, the inherent risks of not selling every last copy that a brick and mortar bookstore buys, making up for the money lost in the books that didn't sell, that sort of thing.

And people wonder why some authors, like Barry Eisler and Terry Goodkind, have gone to publishing on Kindle. Keep in mind, they have name recognition and they are their own franchise. I just have friends, family, and you, gentle readers.

In short, in an ideal world, to make close to six figures, I would need to sell 10,000 copies via Createspace, 20,000 copies via Amazon.com, or 50,000 copies at brick and mortar bookstores.

As of this date, I've sold 40 books, and made around $300. I don't think I've been this happy in a long time. No, it's not much, but I worked for every last penny.

In my quest to be published, I have worked within the system, and relied upon the people in it in order to reach the end goal. Through no fault of their own, these people could not get me published. And, because of that, I have been reluctant to rely on anyone besides myself and God Himself.

As the old Bill Cosby routine with Noah's Ark concludes, "It's just you and me, Lord."

Well, now I'm relying on myself, and God, and you, dear reader. Enjoy.

Pricing, royalties, and "It Was Only On Stun!"

Before I begin, I should probably mention: Declan Finn has an Amazon.com author page. And two five star reviews.  Go me. :)

So, now that I've published the book, the one question I've gotten has been: "So, how much money do you make from this?" Alternately phrased as "What way of selling makes the most money for you?"



Well, that's a funny story.



First of all, you may have noticed my above links. I have different tabs for different pages -- in particular, Amazon.com and Createspace. Why is that? Here's the reason.



My book is $14.95. No matter where you see it, it's $14.95. In Great Britain, it's £9.55 ... which is $14.95, as of this writing. In Europe, €11.88. How much of that do I get? Depends on where people buy it.

If people buy an Amazon.com paperback, I get $5.22. If people buy it on Kindle (at the price of $9.99), I get between $3 and $7 (it's a long story, I either get 30% or 70%, depending on multiple factors). The same goes for the equivalent exchange rate in the UK and Europe.



If people buy at my original publishing website, Createspace, I make more money ... a whole $8.21 per book. It doesn't seem very impressive, but trust me, when you start selling a few dozen copies, that extra three dollars adds up quickly.



And here comes the reason why the publishing companies are in trouble, comparatively -- I am allowed "Expanded Distribution," which means my books are available at brick and mortar locations, such as bookstores, libraries, academic institutions, other online retailers, that sort of thing.



However, that way, I only make $2.23. Why? Think about it -- there are logistics involved, transportation fees, the inherent risks of not selling every last copy that a brick and mortar bookstore buys, making up for the money lost in the books that didn't sell, that sort of thing.



And people wonder why some authors, like Barry Eisler and Terry Goodkind, have gone to publishing on Kindle. Keep in mind, they have name recognition and they are their own franchise. I just have friends, family, and you, gentle readers.



In short, in an ideal world, to make close to six figures, I would need to sell 10,000 copies via Createspace, 20,000 copies via Amazon.com, or 50,000 copies at brick and mortar bookstores.



As of this date, I've sold 18 books, and made $120. I don't think I've been this happy in a long time. No, it's not much, but I worked for every last penny.



In my quest to be published, I have worked within the system, and relied upon the people in it in order to reach the end goal. Through no fault of their own, these people could not get me published. And, because of that, I have been reluctant to rely on anyone besides myself and God Himself.



As the old Bill Cosby routine with Noah's Ark concludes, "It's just you and me, Lord."



Well, now I'm relying on myself, and God, and you, dear reader. Enjoy.

FAQ: Where do you get your ideas?

I've touched on this briefly during the series on how I created A Pius Man, but, apparently, the question many authors are besieged with is “How do you come up with your ideas?”



Short answer: formal viewpoint. Or a functional mentality.



For example, last year, I saw Forbes Magazine with cover article about how al-Qaeda was losing money, and it suggested that Osama "needed a new business model."



I can not make this stuff up.



The point is, people look at things from a “formal viewpoint.” I would look at a large pile of money and think of where a character would hide it. An accountant would probably count it all. A pyromaniac would look at it as stuff to burn.

[More below the break]



In my case... to use an example, in 1998, my family went to London and stopped off to see the Crown Jewels. Everyone else stared at the jewels. I went and looked at the security. I didn't take notes, since I didn't want to be thrown out of the Tower of London by the fastest possible route [the jewels were a few floors up]. The British Museum got the same treatment from me -- The Elgin Marbles from the Greek Parthenon had their own wing.... so, if the Greeks really wanted them back, they could steal them with a few construction helicopters and just airlift the whole wing—the Israelis did that with an Egyptian radar tower once to great effect.



Basically, it's a matter of looking at things from a certain viewpoint. I suspect that if I go see the Mona Lisa, the majority of my time will be pondering how someone could disable the security guards, the electronic surveillance, and walk away with a few paintings from the Louvre. Though the answer would probably be to steal something from the basement storage area—less security, without the individual alarms on every piece.... hmm, now that's an idea....can someone scan for Semtex at the entrypoint to the Louvre? Hrm...



The sad thing is that the above was really thought up as I wrote it.



I created one character because a teacher in high school, on the first day of class, said “I'm a wanted terrorist. I've been hunted for 19 years.... I can kill you with two fingers.” He was the creative writing teacher, so we went with it....



And I wondered... “What if he was telling the truth?”



He's in a back pocket somewhere, for when I get around to writing that novel. The annoying thing is, I have it outlined....



Some, like Harlan Ellison, have described writing as a compulsion, and that's because that's how we seem to be wired. Be it the Tower of London or the British Museum, writers wonder how we can do something with where we are, what we're doing, some little factoid we picked up, or a stray comment.



I don't think I've ever gone to someplace and not wondered how to blow it up, shoot it up, or what would be required to do something like that.



Rebekah Hendershot, author of Masks, described a similar experience when creating her book: “Why doesn't LA have any superheroes?” Answer: “Because something killed them all. And it's still here.”



With A Pius Man, Scott “Mossad” Murphy came out of the mass of Evangelicals flocking to Israel after 9-11. What does Israel do with all of these meshuge goyim? And what do you do with them if they want to join the military, or even the intelligence services? Answer: the goyim brigade—Mossad agents who not only "don't look Jewish," but aren't.  Murphy was just a throwaway character I had come up with to use “someday.” He had literally been shoved into a notebook and left there for three years. I had used him once as a supporting character in one book, and all but forgot him. Later, he came in handy.



And that's why writers have notebooks—to keep track of all the random neurons firing off with ideas. You never know when there's going to be something that comes in handy. Stephen King supposedly has a trunk filled with notebooks of ideas past.



So, if you ever think that a writer is odd, well, they are. They look at things from different points of view—if only because they have to be able to see things from the points of view of different people as they write them. Stephen King writes about things that scare him... and that seems to be everything... the author of Rebekah saw how much LA had been shortchanged of superheroes and decided to explain why. I think up various and sundry ways to kill someone with a ballpoint pen (I'm on nine).



That's how we find ideas. We're wired to.



But then again, who'd go into this profession if we weren't?

Oslo ... Nazis, I hate these guys.

I'm sure that many of you thought the same thing that I did when I heard that someone bombed Oslo, and shot up a retreat in a little island off the coast of Norway.

Who would want to blow up Norway?

Okay, so maybe we all didn't have the same reaction.  My first thought was to write a column for Examiner.com.

Also, it was to analyse the whole situation. Seriously, who would want to blow up Norway? It had all the hallways of an Al-Qaeda operation: coordinated strikes, but still missing the target.

But, still, why Norway?  If AQ, then it would be because .... well, it was there ... or because Norway supported a Danish cartoonist several years ago during European-wide rioting.  But even those felt sort of weak.

All in all, it was just weird.

So, of course, the perp turns out to be ... a blonde-haired, blue-eyed fascist.

Do you remember when I mentioned the Europe has problems?  I said that Europe seems to have two settings, cower in a corner, or go fascist. Their idea of a Left and a Right are not America's.  Their Left is Socialist. Their Right is Fascist.  They don't really have a middle.  Well, not much of one.

Consider politics as non-linear.  Politics is not a straight line.  In France, they have their parliament set up in a horseshoe-like arrangement, for each of their two hundred political parties. Because it is a curved horseshoe, the extreme right and the extreme left are very, very close to each other.  The end result of the fascist and the socialist systems of the 1930s and the 1940s are the same -- they killed more of their own people than they ever did of the enemy.

Unfortunately, I'm waiting, just waiting, for some utter and complete idiot to say that this fascist schmuck is the symbol of everything wrong with the right, therefore it must be destroyed. All of them.  Which is in itself its own kind of fascism.

I should probably rewrite that -- since there are people on the internet who are already doing just that. However, they don't count, because the Internet seems to be a gathering place for the loudest and the most ignorant. And the person who screams the loudest is the one who gets all of the attention.

So, a rewrite: I'm waiting, just waiting, for some utter and complete important idiot to say that the right must be destroyed.

However, right now, I'm going to make a bet. Someone is going to read the above, and they will dub me a right-wing extremist of some sort or another. No matter how many times I've noted my hatred for politics, politicians, and that my own politics depends on where the jury is sitting.

But, being a cynical SOB, right now, I want to see how the investigation goes. Because, as I noted above, this had all the earmarks of an AQ attack ... and there was talk some time ago about AQ having links to the Oklahoma City bombing.

I could just be paranoid, but I'll be interested to see where the trail ends. 

A Pius Synopsis

The below is basically how the fly leaf of a A Pius Man dustjacket would look like.

*******************************



A Pius Man is a mystery with too many suspects.



In Rome, an old terrorist is blown out the window of a hotel and crash-lands on a car at the gates of the Vatican. A figure in a priest’s robes is seen running from the scene. But the body on the windshield is just the beginning for a team of six unlikely investigators from around the world. Each pair of hands on this case has a past, and a few secrets … and an axe to grind. They don’t want to work together. They don’t want this case.



And one of them just might be the killer.



Is it....



Sean Ryan, an American stuntman turned mercenary and self-described “cleanser of the gene pool”? He’s supposed to be in Rome to train priests in combat, and old habits die hard.



Then there’s Giovanni Figlia, a homicide cop for the Pope who fears only paperwork. He was best known for starting soccer games with bishops in the Borgia gardens … until the corpse landed on the hood of his Jetta.



Could it be a former U.S. Army chaplain who was meeting with the murdered man on a weekly basis? Did the Jesuit priest who’s killed men with his bare hands know that his weekly luncheon date had just murdered a researcher in the Vatican Archives?



And what about Scott "Mossad" Murphy of Israeli intelligence’s “Goyim Brigade”? He and his partner are in the middle of investigating another murder at the Vatican … this one a high-ranking Muslim leader with connections to al Qaeda.



Into this mix comes Maureen McGrail, an Irish Interpol agent with a bitter past with Sean Ryan. She’s working her own murder case, related to the controversial canonization of Pope Pius XII, sometimes known as “Hitler’s Pope.” And guess who Interpol wants to send to Rome … ?



And the final, most distressing suspect is Joshua Kutjok....aka Pope Pius XIII, a right-wing African pope with rumors of blood in his past and the stated goal of turning “Hitler’s Pope” into the “Hero of the Holocaust.” To accomplish this goal, he’s already let terrorists into the Vatican Archives … would he kill a man who stood in his way?



In A Pius Man, six unlikely heroes must work together to unravel a web of intrigue and murder that entwines one of the most controversial figures of the twentieth century. Was Pius XII a Nazi collaborator who deliberately let millions of Jews die? Has the Vatican covered up the truth for more than 60 years? Or has someone perpetrated a decades-long smear campaign? And what will happen to six strangers trying to finally bring the truth to light?

Europe Has Some Problems.

Europe Has Some Problems.



[Before reading this blog, I would to ask readers to go through it with a critical eyes. I would prefer it if someone could supply me with numbers for or against anything I am saying here. I am relying heavily on anecdotal evidence and half remembered details. I retain a lot, but that doesn't help much. In short, I'm flying blind. Any numbers for or against what I'm saying would be appreciated.]



In the Brooklyn museum, during the reign of Mayor Rudy Giuliani, there was an issue involving two piece of “art.”



One, was an image of Jesus Christ, symbol of the entire Christian faith, in a jar of urine.



The other was a statue of the Virgin Mary, symbol of at least the Catholic church, smothered in elephant dung with photos of female genitalia plastered all over.



While Giuliani went postal, and complained about the museum, nothing really happened. No one was assaulted. There were no riots. Nothing was burned down. The “artists” were not hunted down and burned at the stake by a horde of angry Christians. Though I think the “artists” should be forced to stare at their own creations for a week.



Let's go to Europe.



There was a Danish political cartoonist who wanted to note how much Muslims self-censor any condemnation of Islamic terrorists, and that you can't even do a critical analysis of Islam like you can of, say, the old testament.



And, to show that Islam could tolerate criticism and would not censor anyone ... they had weeks of riots in reaction to the criticism and tried to censor the danish cartoonist.



I will grant you that political cartoons aren't funny, but this is like Norway having a riot over Hagar the Horrible. Were the cartoons worth the lives of over a hundred and thirty nine people and over eight hundred injured in the international rioting?



Imagine if it wasn't a cartoon, but a movie. Then you can imagine Theo Van Gough being knifed to death in an alley.



Not long ago, Germany's Chancellor Angela Merkel has said that creating a multi-cultural society has completely failed.



Apparently, this little bon mot was started by central bank board member saying the country was being made “more stupid” by poorly educated and unproductive Muslim migrants.



Merkel's comment: “Multikulti”, the concept that “we are now living side by side and are happy about it,” does not work. “This approach has failed, totally,” she said, adding that immigrants should integrate and adopt Germany’s culture and values.



“Subsidising immigrants” isn’t sufficient, Germany has the right to “make demands” on them, such as mastering the language of Goethe and abandoning practices such as forced marriages.....



I'm going to agree that Europe's idea of multiculturalism is stupid. Multiculturalism on the continent is more Balkanization than anything else. The Balkans were held together by Empires and dictators for centuries; there were multiple groups, with separate cultures and identities, who did not want to associate with each other, hated each other's guts, and wanted to kill each other for about a thousand years.



In France, they keep their Muslim immigrant population in glorified slums.



In Holland, government officials have suggested making sharia law officially part of the legal system of the Netherlands (sharia: stone female adulterers, cut off the hands of thieves, and a legal defense for rape ).



I live in Queens. We have 167 ethnic groups speaking 117 different languages. We get along fine. I am the whitest guy I know, yet can walk through the Barrio, Harlem, three Chinatowns, and Brighton Beach, without anyone looking at me like I came from another planet. Then again, within four miles of me, I have dozens of flavors of Christianity, a Bhuddist temple, a synagogue, and a cultural mix of Hispanic, Asian, Indian, Italian, Irish, and those are just the restaurants. We generally all speak English, or we at least attempt to, and if we can't understand each other, there is usually someone who will translate nearby.



So, what the hell is Europe's problem?



They have several. France, for example, insists on a cookie-cutter policy. If you deviate or stand out in anyway, you're a target. The only place for hajibs or yarmulkes are in Catholic schools. Wearing a cross is also banned. Most of these policies were passed under Jacques Chirac, and don't seem to be going anywhere.



Then you have the Netherlands, where the growing Muslim population are mostly young, the first generation born in country (mostly young folk) are growing up with extreme feelings of identity—to their religion. This could just be their version of being a teenager, but instead of being Goth or Emo, it's extreme religion. Unfortunately, until recently, for over ten years no one objected when they assaulted groups of Jews, or committing assorted other hate crimes.



And, recently, one of their politicians was put on trial for … being politically incorrect in a film. Since I haven't seen it, I can't say how offensive it is, but in America, CAIR could have just filed a lawsuit, and made money. People would have boycotted the film. Life moves on. In the Netherlands, you can't even say bad things about Muslims, even when there is a segment of the population that is becoming an issue?



I'm not 100% certain about Germany's problems, if their Islamic population has any specific grievances, or what trouble, if any, they may have caused in Germany in order to spark Merkel's comment.



So, I agree with Merkel that Europe has no idea what they're doing. Time for them to come to Queens.



Then there is Merkel's next line … “We feel tied to Christian values. Those who don’t accept them don’t have a place here.”



Wait, what? I'm sorry, I'm going to hit the brakes right here. Christian values? This is the same Europe that rejected anything religious in the European Union, right? The EU founded on anti-religious Enlightenment ideas? When Pope John Paul II suggested that Europe even had Christian roots, he was told to stuff it. So, Chancellor, you're a little late.



Here's where I seriously start developing problems: A recent study by the Friedrich Ebert Foundation think tank showed around one-third of Germans feel the country is being “over-run by foreigners” and the same percentage feel foreigners should be sent home when jobs are scarce. And nearly 60 percent of the 2,411 people polled thought the around four million Muslims in Germany should have their religious practices “significantly curbed.”





Now my BS detector is going into red alert.



Germany has already banned something labeled as a religion. Scientology has been outlawed as being fascist. But I'm assuming that there were not four million scientologists in country when they passed the law.



If this new German thought process is an indication of where Europe's policy is going, I'm worried. It is one thing to ignore, kowtow, or be afraid of a problem, it is another to blindly lash out at a whole group only because a percentage of the group is being a problem.



Maybe if Merkel's “Christian Values” are more like France's Catholic schools, we can talk. But would anyone want to place money on that?  In Europe's past, they have shown only two settings: cower in a corner, or go fascist.  I'm hoping for something in the middle.



Maybe the Brooklyn museum would like to make an image of Muhammad and cover that in excrement. If anyone complains, it can always be covered by free speech.  Should there be a riot in America, like there was in Europe, I wonder if the NYTimes would refer to it as fascist censorship, (like they said about Giuliani) or if they would call it "freedom of religious expression."