Who would Norman Osborn Vote For? Election special, the Villain's edition

Last week, I posted an article that suggested who various and sundry superheroes would vote for.



This week, I think it's time the villains got a shot at it.



Norman Osborn aka: the Green Goblin (Marvel).

One of the most evil bastards in the Marvel universe, Norman Osborn, by day, is a seriously big big business Wall Street CEO.  He is a vicious psychopath and merciless killer.  Norman Osborn mostly resides in New York City, which makes him a definite shoe-in for a Democratic voter, no matter who the candidate is.



Also, keep in mind that a lot of Wall Street tycoons are supporters to the Democratic party -- John Corzine, Robert Rubin (Goldman Sachs), Citibank, and George Soros (Democrat and Obama's biggest supporter), Brookfield Asset Management, Lehman Brothers (who now work for the Obama Administration).



And can you imagine what Osborn would do with a stimulus package?

VOTE GOES TO: Obama.

Wilson Fisk aka The Kingpin (Marvel)



By day, he is a businessman, though not as big as Norman Osborn in the business world.  He is more local in his business interests and his crime. And, in his personal life, he left the crime world and moved to Japan, mostly for his family.  He actually stayed out of the crime business for his wife.   Only when his family was threatened, and his wife lost to him that he reentered the world of crime. Add to that he spent a lot of time in Japan learning philosophy, martial arts, etc.  While you can say many things about the Japanese, their traditional culture is very, very conservative.  And, between that and his [relatively] small business interests, Fisk probably comes out as both an economic and social conservative.



VOTE GOES TO: Romney.





Poison Ivy, aka Dr Pamela Isley (DC).

A radical environmentalist, heavy on the mental, Poison Ivy is the ultimate eco-terrorist.  She also happens to be bat-guano insane, taking monomania to a whole new level of crazy.  A one issue voter, she cares nothing for the "War on Women," since she has already declared the human race something worthy of extinction, and only about environmental issues.  Since she makes current Left-wing ecofreaks seem reasonable, she'd probably find the most hard-line environmentalist she can.  Barring that, she might actually approve of standard contraception and abortion, since it means fewer people to trample her precious flowers.



VOTE GOES TO: Obama







Harley Quinn, aka Harleen Quinzel.



A former shrink, Harley Quinn went quite mad a while ago, falling for the Joker.  She has a long history of tolerating abuse and putting up with whatever his narcissism and whimsy dictates.  However, she also had had enough at one point, and shot the little bugger.  Her mind would hear the phrase "War on Women" and think "War? What War? Who's shooting?"  Her sources of information would rely on either her precious "Mista Jay" or her best friend, Poison Ivy.  And, let's face it, Joker would enter a polling place to gas everyone to death, and then vote for Ron Paul.



VOTE GOES TO: Whoever Joker tells her to vote for (see above), or whoever Ivy tells her (see above).





Catwoman, aka Selina Kyle.

A professional thief, Selina would not be the type of person to complain about the 1%. She loves the 1%. After all, without them, who else would she rob?  She is also a single mother (or she was, pre-nDCU), so she's not exactly the pro-abortion type, assuming she even dwells on the matter. And, let's face she, she has a tendency to jump the bones of the richest person in town.  However, would this make her a Romney voter? Not necessarily.



However, Selina has also occasionally worked as a thief for the federal government, and if she voted, she would vote her paycheck, and go for the guy most likely to invest in defense spending and funding the Company she works for.



Also, Romney might remind her of another rich white conservative she occasionally sleeps with.



VOTE GOES TO: Romney.

[More below the break]





Two Face, aka Harvey Dent.  



Harvey has a split personality, in more ways than one. Before he went crazy, Harvey was a prosecutor, which makes him a perfect shoe-in for a Republican voter.  However, after he was disfigured with acid, he has a serious problem of making up his mind on anything at all. Almost all binary problems are solved with a flip of a two-headed coin, one side scarred.



VOTE GOES TO: It's a toss up. A coin toss you might say







Penguin, aka Oswald Cobblepot.

The Penguin is a white collar criminal who dabbles in the occasional violent crime.  He owns his own bar, deals in information, and assorted (usually) non-violent felonies.  This wouldn't come down to policy, but it would boil down to personality.  To start with, Penguin smokes, drinks, and is usually in various levels of obesity --  the Michelle Obama health craze would seriously piss him off.



Not to mention, as a white collar criminal, the Penguin would be in the business of tax evasion, and he would probably vote for anyone who threatens to cut taxes.



VOTE GOES TO: Romney



Mister Freeze, aka Dr. Victor Fries. 

Victor puts the "mad" in mad scientist, as in "mad as hell and not going to take it anymore," with a touch of "madman" thrown in.  A cold personality, Victor has only one real passion in his life, outside of cryogenics, and that is his wife Nora.  His entire life is dedicated to restoring her to full health and getting her out of cryogenic suspension.  This would probably qualify as being, at base, conservative by desire (shooting for family values of a warped variety), however, his love of his wife has turned into a mania.  When love turns into psychosis, it's one of the worst negatives.



On the other hand, Freeze occasionally ends up as an protagonist, sort of, on Batman's side when the situation warrants, so maybe he hasn't been completely warped. So, if we presume that his values haven't been completely distorted beyond all recognition, the psychotic bits may not be that important.



Also, Freeze is also European in background, so we can probably figure him for either very left wing or very right wing, there are no real middle grounds in European politics. So, figure him for more right wing.



VOTE GOES TO: Romney? Maybe?



Nonstarters



These are nonstarters in general, and I couldn't really scrounge up enough of these folks for their own entry.  They are both heroes and villains. And, while I would have loved to title this post "WWJVF: Who would Joker vote for," well, he's not really that complicated.



Joker -- As noted, he's probably kill everyone in the polling place, and vote Ron Paul.



Lex Luthor -- Would vote for himself. He was President once, after all.




Wonder Woman -- won't vote, since both candidates are men with no military service.  Maybe if Hillary ran......



Thor -- Not a citizen, and therefore, can't vote. Can I can see him voting for Paul Ryan .. not Mitt Romney, Paul Ryan.



Loki -- As a demigod of chaos, you can almost lay money that he would have organized Occupy Wall Street.  But, again, not a citizen



Peter Parker, aka Spider-Man -- as a New Yorker, he would vote Obama, but it wouldn't matter, because he would approach the polls, hear sirens, and webswing away to the rescue, and remain busy until the polls closed.  He would then walk home in a slump because he couldn't do what he wanted to.  He would then retire from being Spider-man for five minutes, or five issues, whichever came first. Then he makes a deal with Mephisto so that the last few decades of voting never happened the way everyone remembers.

Jack Bauer, Harry Potter, and the Cassandra effect.

So, what do Jack Bauer and Harry Potter have in common?

No, this is not a joke.

Jack Bauer, the hero of 24, is the key agent on the Counter Terrorism Unit.  He will torture (mostly just interrogation with yelling and threats), kill, fight his superiors, and lop off heads in order to save the day. He developed a drug addiction to go undercover with a cartel, stopped LA from being nuked about three times, saved the President of the United States at least a dozen times, and will occasionally go on revenge-fueld rampages. He is also the winner of going-the-longest-without-sleep-while-still-kicking-ass award.  He's mostly a lone wolf, because everyone who helps him eventually dies.

Harry Potter is essentially experiencing the worst high school experience since Buffy the Vampire Slayer. Instead of being born with martial arts skills and preternatural strength, all he has are the wits of a ten-year-old (to start with) and inborn magical ability that he's still learning to control.  His biggest assets are his friends-- one of whom is smarter than he is. And he's got a death sentence on him since he was born, all because of some Saruman wannabe who has his own Manson family.

So, what do the two of them have in common?

The Cassandra effect.

No, really.

Going through both series, you'll notice that no one actually listens to either Jack Bauer or Harry Potter.  If people listened to Jack Bauer in several seasons, the show would be called 12, not 24.  Every time Harry Potter falls head first into a plot, like some sort of magical Jessica Fletcher, no one over the age of 18 listens to him.  They are both Cassandra, knowing something will happen for certain, only no one will listen to them, especially when they're right. Leaving it up to our heroes to act on their own to save the day, despite the stupidity of others.

Now, granted, it's a plot device specifically designed so it can end with the hero standing alone against all odds, with maybe some cavalry coming over the hill at the last minute. One might say it's a very American concept -- rugged individualism, cowboy duels in the street, the Lone Ranger, every superhero, every Clint Eastwood western-- except that there is still the basic mythology of Odysseus, or Bellerophon, and other folks of yore who have special powers and abilities that make them the only ones to face demons and monsters.  It's the same concept, only we need different reasons for the lone hero to be lone anything.

In the case of comic books, that's easy-- most superheroes have superpowers that enable them to go toe-to-toe with the bad guy and walk away. Even Batman and Iron Man have special toys, special training, and a wealth of experience on their side.

But what happens outside of that? When everyone has the same training? The same knowledge base?

Enter the Cassandra effect.  In both cases, it stems from Konecsni's Law of Committees: to get the IQ of a committee, you take the total IQ of the individual committee members, and then divide it by TWICE the number of members on said committee.  Why? Because people are dumber in groups.

In either case, this holds.  In the Hogwarts School model, the faculty obviously know more than this pissant little child, so how could he possibly have the answer to anything in particular?  In the case of Jack Bauer, the CTU bureaucracy looks something like the bureaucracy of the damned, filled with political operatives who know nothing about kicking ass and taking names, and everything about kissing ass and shuffling papers.  And, in both cases, our heroes can only appeal to an individual --Harry Potter's Dumbledore, or Bauer's President Palmer -- and that person can cut through the red tape that has made everything so very, very screwed up.

If you don't have that, you don't have a plot in either case.

"Oh, Harry? People are going to try and steal this valuable stone we have in the forbidden wing? We'll triple the guard on it. Thank you."

Or...

"Jack, you've got information that says that there were other people behind the terrorist threat? Sure, we'll have an air strike on them in the next five minutes."

Sounds boring, doesn't it?

At the end of the day, individuals who will fight the good fight are always more appealing to us than a massive, faceless bureaucracy. We trust individuals to get things done, but not the byzantine structure of bureaucracies, who will seemingly let anyone in. It doesn't matter if it's the IRS, the State Department, the NSA, CTU, or Hogwarts.  But good fiction uses this plot device well, exaggerating the natural ineptitude of bureaucracies into a plot point -- and sometimes, you don't need that much exaggeration.

Even when you have something like the Magnificent Seven, or the Avengers, it's very much the same concept. It's the individuals coming together to take on a threat that none of them could deal with alone.

Now, one could counter with military fiction... except in that case, fiction makes certain to focus on the officers and high-ranking foot soldiers -- people who have already been promoted because they have special abilities and knowledge that put them at the head of the back. Just look at 300-- we focus on, possibly, six of three hundred Spartans. It's hard to make us emotionally invested in 300 individual soldiers in the time and space allotted, but making us invested in a select few allows us to be invested in all of them.

At the end of the day, we the audience become invested in individuals.  The Cassandra effect -- or the committee effect -- gives writers the excuse to focus on a select few in a modern age where great big monolithic installations are supposed to take care of everything.

A villain versus an antagonist

An antagonist is an opponent, but a villain must be stopped.

I'm going to be a little nerdy here and use some rather clear-cut and obvious examples of a villain vs an antagonist, using enemies of Batman....

Yes, I know ... Batman? Really?  Yes, really.  Why? Because everyone at least knows of the majority of the Batman rogue's gallery, so it acts as a good common denominator for everyone involved.

Let's look at some of these folks ...

Few people would think of the Joker as anything less than a villain.  And that would be correct -- but what makes him so?  A complete and utter disregard for human life, for one.  He thinks he's funny when he kills large groups of people, and not only that, but he insists that everyone else finds it funny too.

Is Joker insane? Perhaps -- his fashion sense would indicate that if nothing else -- but does that make him not-evil?  It reminds me of the argument that some victims of child abuse go on to become abusers themselves -- which is garbage. I know more victims of child abuse than is possibly good for me, and while they have an array of neuroses and psychoses, none of them have gone on to be abusers themselves.

Even Alan Moore's The Killing Joke insists that Joker is the result of, as he put it, "one very bad day."  But, even during that comic, Joker is undermined by his victims. Despite creating a very bad day for police Commissioner Jim Gordon, Gordon stays completely sane, and doesn't go off on a killing spree.  He doesn't even put two into Joker's head, which would have been at least justifiable under the heading of "We shoot rabid dogs, don't we?"

The legal definition of insanity is the inability to know the difference between right and wrong. With the Joker, the number of times he theorizes on what he should do next illustrates he's fully well-aware of the difference, he just finds "wrong" a more entertaining option. On the sociopath /sadist scale, he gets a ten.

He might be clinically "insane," but he is also evil. Let's call this a villain.  He's not merely the opposition, not put there by circumstances -- he's like this because he wants to be.

The Riddler is also of the same bent as the Joker.  The Riddler's basic compulsion is to try to prove himself smarter than Batman. That's it. To that end, he plans crimes and leaves clues behind. This looks quite insane ...  Except when you take into account an incident where Riddler is beaten to within half and inch of his life.  He's put into a coma for months, and when he comes out of it, he has both long-term memory loss and a new idea-- he would outsmart Batman by being an even greater Detective!

In short, when Riddler has been on the wrong side of the law, he has chosen to be this way. And his choice makes him a bad guy. Wikipedia has actually described him as being a malignant narcissist ... which we used to call evil.  He's evil and he's having fun. Villain.

In short, "Proving that I'm a super genius is more important than anyone's life," means you're an evil little bastard.

You can see where I'm going with this. At the end of the day, villains are simply evil. But what's an antagonist?



On the other side of the coin (yes, pun), you have former district attorney Harvey Dent, now the criminal known as Two-Face.  In the comic books, Two-Face is a multiple personality, and he is literally not in control of himself; his darker impulses have created an entirely different person, and he requires a coin toss in order to judge how that would work. In Freudian terms, Two-Face is split into Id and Superego, with nothing to moderate between the two except for a coin.  He's just plain old insane.

For instance: during the No Man's Land storyline, Two-Face kidnaps  police commissioner Gordon and puts him "on trial" for breaking a deal. However, Gordon is saved by a vigorous defense by .... Harvey Dent.


I think this puts him on the straight crazy bent (yes, pun).  There's good in him, it's just kinda lost in the white noise that's his brain. Antagonist.


And now for something a little different.

Catwoman is a thief. But she's also been our thief. She robs from the rich, gives to herself, and does the occasional side job for the US government and the CIA. Her later development has put her as more of an anti-hero than even an antagonist.

Though she still occasionally seems to play cat and die Fledermaus, there's still more than enough good in her to proclaim her an antagonist -- when, as, and if she isn't off saving complete strangers because they happen to be within her line of sight when they're in trouble.

And then there's Ivy.

Cosplay Deviants, DragonCon, 2012

Poison Ivy, formerly Pamela Isley, is a nutjob. Completely and totally broken in the head. She has a concept of right and wrong, she just puts plants over people.  Normally, her position as the ultimate eco-terrorist would be something to classify her as just plain evil. After all, she has made this decision, and she has decided that her will is greater than everyone else's moral code.

However, there's a bit of a problem with that. Why, you ask? Because Poison Ivy has had moments where she's protected human beings, despite that she generally thinks humans are inferior to plants. The No Man's Land storyline had her protecting orphaned children in central park and feeding members of the city. She has the occasional breakdown, but she's trying to be a good person. Which is more than I can say for some people I've known in real life.

And, besides, if you turn into vegetable matter and plants talk to you, you'd be a little screwed up in the head as well.

I guess I could go into Harley Quinn, or the Penguin, but I think we'd be beating a dead horse at this point.  Harley is now an anti-hero after years of being a poster girl for battered woman syndrome as Joker's girlfriend.  The Penguin has retired to being a white collar criminal who runs his own lounge.  Bane can't be classified, because his character radically changes depending on who's writing him.

At the end of the day, I never subscribed to the cliche that villains never look in the mirror and see a villain. Or that "they think they're right." Villains don't care about right or wrong.  They just care about themselves. An antagonist might be talked down, or persuaded, or brought away from the dark side; there is the possibility of redemption. The villain likes the dark side, has chosen it, and never wants to leave. It's the difference between Hannibal Lecter (of the books) and Sauron. It's the difference between Joker and Two-Face.  It's the difference between Heaven and Hell.

At the end of the day, it's why I prefer villains in my novels. When I have an antagonist, I tend to redeem them.... eventually.

And trust me, in A Pius Man, there's an opportunity or two for redemption for some. And others just want to die screaming. 

Inspiring Authors: J. Michael Straczynski

Every once in a while, I look over my writing style, and I look at what I've taken away from the authors I've been exposed to.



The first, and most important writing influence is someone named J. Michael Straczynski (JMS).



JMS, who I have mentioned once or twice, was an executive producer on Murder, She wrote, created Babylon 5, and writes almost anything else he can get his hands on. He's written comics, TV, novels, science fiction, battling demons....

Just look him up on amazon, buy everything except for “Rising Stars” and “Supreme Power.”



I'm not joking. Go now.



If you saw Thor -- and who didn't? You didn't? Go see it. I'll wait..... Back now? You liked it? Good. -- JMS had a cameo in the film as the first fellow to find Thor's hammer, and organized that big sequence with trying to drag out the hammer with a truck.



There is Tribulations, a book about demonic possession in modern LA. Surprisingly well put together and very religious ... And he's an atheist. So, he at least knows how to appreciate religion, even if it's only for use as fantasy fodder.

I first experienced the writing of JMS a very long time ago, before I even knew who the man was. Originally an author for television, he worked his way up from cartoons and into prime time. He penned the only episode of The Real Ghostbusters that I can remember.  Twenty years after the original airing of Murder, She Wrote, all of the episodes I knew off the top of my head happened to be written by him (if you remember an episode in the Psycho house, that would be Joe).

I first became aware of Joe Straczynski with his television show Babylon 5; at the time, it seemed to be a rip-off of a Star Trek program that had just come on called Deep Space 9. Then odd things started happening. To start with, the show had character. The characters on the show had personalities. They had backgrounds. They had character flaws. When there was fighting, there were actual military tactics, and the science fiction .... had science.

If you are not a follower of science fiction, you may not be aware of this, but to find military tactics in most science fiction filmed media is almost as rare as finding science in a Star Trek film. As mentioned during our week of Infinite Space, Infinite God II, most sci-fi will resort to technobabble before using actual science. Babylon 5 is the first science fiction television show that ever explained how their artificial gravity worked.

With military tactics -- how much in the way of tactics did anyone see in Star Wars or Star Trek that did not amount to "Watch two armies. See them ram into each other. See them ignore that space is three dimensional."

With Babylon 5, NASA has asked permission to use some of their designs, because they can't come up with better ideas.  If you ever hear about a NASA space construction craft called a "Star Fury," it's because JMS allowed them to use it on the condition that it shared the name it had on the tv show....

Constant readers of this blog will see the fingerprints of JMS all over it. The most popular blog post Disasters to Marvel At was made possible by Joe Straczynski. After Babylon 5, JMS went on to writing comic books; in particular, Amazing Spider Man (ASM). Being a fan of Straczynski's, I followed. It was the first time I had picked up a comic book in about five years. At least.

And it was a gloriously enjoyable run. If you ever saw an issue of ASM that involved Spider-Man dealing with the 9-11 attacks, that was JMS' doing. It was a throwaway issue in a grand story arc that had Peter Parker questioning his own origins, pondering whether or not he was part of a larger plan, and finding himself embroiled more and more with supernatural problems. The solutions became more cerebral and scientific than requiring an ability to pound someone into dust.

Also, in pure JMS fashion, he took the marriage of Peter Parker and made it work -- after all, Straczynski's strong suit is having two people interact with each other. And it's nothing like having a reconciliation in the middle of a super-powered smackdown at Denver airport.

And then there was the surprisingly epic ASM 500, where JMS managed to condense the entire 500 isues before into one, simple question.

Which is why I was somewhat enraged when editorial mandate came down from a clear blue sky and decreed that every Marvel comic would be dragooned into the Event of the Week. The story arc for Straczynski's Spider-Man run was stomped on by the far inferior Civil War. And, while I liked what JMS managed to do with it, despite editorial mandate (it was the only part of the Civil War I remotely enjoyed), and he managed to make the follow-up Back in Black, a fun read, at the end of the day, management came down and destroyed, literally, every achievement JMS wrote over the course of his six-year run.

When I saw JMS at New York Comic Con, he had a running phrase: "Joe, you suck." He even had the audience repeat it back to him.  However, between the links above, there's a reason why I think it should be "Joe (Quesada), you suck."

JMS would also take over duties on Thor, where he placed the Norse deity in the middle of New Mexico (Thor movie fans, sound familiar?)

After Marvel and he had a falling out, he went direct to DC. He did some spectacular Team-ups of the Brave and the Bold, tried to work on a new arc for Wonder Woman, and even a Superman arc called Grounded. Right now, he's heading the bestseller list with his graphic novel Superman: Earth One.  If Warner Brothers is smart, they'll reboot the Superman movie franchise with Earth one as a model.

WHAT I LEARNED FROM JMS.

I learned how to write people. Taking a cue from Rod Serling, JMS knew how to make a conversation be dramatic with just two people in a room, no ticking bomb required. He knew how to work dynamics with different characters for different results. He even went so far to lock two people in a room together, he literally trapped two characters in an elevator.

If you wondered why my short story One Way to Stay out of Jail consisted mostly of two people in a room just talking to each other, you can probably guess. It's the joy of having characters (some of whom are deeply flawed) interacting with each other.

Another thing I got from JMS -- how to take cliche's and turn them inside out.

For example...

Situation: Two people who hate each other are trapped in an elevator; fires are burning outside. If they don't work together, they will die.
Hollywood standard procedure: The trapped duo will overcome their grievances in order to stay alive.
JMS: One character says to another "I'm not going to help. This way, I can watch you die and I won't be prosecuted."

It's fun.

In A Pius Man, there is a reason that the book has plenty of deep, in-depth conversations between people who have some obvious flaws .... although a lot of it revolves around Sean Ryan, who is, himself, really weird.

Further Reading.

Other works by JMS include.

Demon Night (I haven't read it yet, but it should be fun)



Othersyde: Another book I loved. High school, meet demonology 101.

Two high school nerds, "losers," tormented and tortured on a routine basis, buy curiosities -- two telegraph signal senders.



And then, the devices start tapping out Morse code on their own.



It was elegantly written, and even made the angst of high school tolerable. And, no, there is no Twilight level, whiny-angsty BS. I would take a power drill to my head before I even read anything remotely like it, to heck with recommending it.

Book of Lost Souls: A late, lamented comic book series JMS wrote while at Marvel. While there were only five issues of this run, I think it has a good, solid story arc. that reads well even though Marvel pulled the plug on it early on.

 

Straczynski Unplugged: A collection of short stories, mostly novelized versions of screenplays JMS did for The New Twilight Zone back in the 80s. I can only assume these few were all he did, otherwise the show would have done much, much better.



These were all awesome.  I suggest clicking on the link and buying the book, rather than trying to find the episodes on youtube.



Trust me on this. 

Under the heading of both "touching" and "I never saw this coming," was Silver Surfer: Requiem. The premise: the Silver Surfer originally made a devil's bargain to save his home planet, becoming the Surfer, herald to a planet-eating being called Galactus. Years later, the Silver Surfer's own body is turning against him. Everything that makes him the Surfer is breaking down. The story arc is broken down into four parts. Benedictus, Sanctus, Kyrie, and Agnus Dei. All parts of the funeral mass.

Let's put it this way: I never liked Silver Surfer, and this brought me to tears ... yes, I'm a nerd.

Bullet Points: Another Marvel project. A simple "What if?"



What if the assassin who killed Captain America's creator completed his task 24 hours earlier, and, at the same time, killing one of the bodyguards, a Ben Parker, what would the world look like?



The only thing that I've read that compares to it in comics is the ASM 9-11 issue ... also by JMS.

-- Okay, this was pure, unadulterated awesome. An LA cop finds himself caught in the crossfire between Heaven and Hell, and loses his soul, becoming one of the lost people of the Midnight Nation.



In order to get his soul back, he has to cross all of America to New York City to face the Devil himself.Midnight Nation

Squadron Supreme and Rising Stars -- the only works I can honestly not endorse. Even JMS has complaints about Squadron Supreme.

Update: Sorry, I'm from New York, the Midwest, unfortunately, does look alike to me -- New Mexico or Oklahoma. Especially since the artwork in the JMS Thor comic and the images in the Thor movie looked the same to me. I suspect Kenneth Branaugh looked at the comic and said "This doesn't match Oklahoma, where does it match? Nex Mexico? We're there."

The American Journal, GamerGate, and other Insanity

A few weeks ago, I posted links to reviews of brand new shows that I wrote for The American Journal, which is a news site that lets me write for them. Usually, the more ranting and raving I am, the more the readers like it.  So, if you want to see me go bat-guano insane on a semi-regular basis, you can get it out. I think I've officially written over half the articles, so hit something at random, it might be written by Declan Finn.



Anyway, I've done a few articles in recent weeks that some of my readers may like.  In a lot of cases, I just keep a relatively neutral stance -- that stance being "Why can't you freaking morons shut up and leave me alone?"



However, you might want to check out some of these.



Walking Dead Actress Breaks up Sex Ring. Yes, this happened. And what did YOU do with your weekend?



Journalists Conspire to Shape News Over GamerGate This was just .... ARGH



Catholic Church to Support Gay Marriage Yeah, if you had questions about what the HELL is going on about this most recent synod, this is part of it. The other part: Here.



Comic Con Announces Guardians of the Galaxy Cartoon Good luck with that



Sequels for Iron Man and Independence Day in the Works



WB Releases DC Comics Movie Schedule



Video: Liam Neeson Returns in 'Taken 3' 



VIDEO: Viking Rejects Job Applicant Based on Faith -- It's not really politics, it's more of a comedy.  And completely insane. You have to see it to believe it.  Most of it isn't commentary, it's just the news story. Oy.



Zero Tolerance, Zero Intelligence. If you're read my official Amazon bio, you can guess why this is near and dear to my heart.



I think you folks might enjoy some of this.



And if you're wondering what I've been doing with my time.... now you know.

Music, Lists, Arrow, and Agents of SHIELD

I've been doing a lot of writing lately, though not here.  I've got Codename: Unsub to work on (the sequel to Codename: Winterborn), A Pius Stand to finish when the beta readers get back, and I'm working on Murphy's Law of Vampires, while I'm waiting for Damnation to get back to me on Honor At Stakes.



To start with, there is the list of Arrow vs. Agents of S.H.I.E.L.D.  And, damn, there were a lot of reasons.



There is also what we're not going to miss from the Star Wars expanded universe, courtesy of The Mouse.



You can check out any of my articles on The American Journal, if you feel like looking at me being cranky with the news, politics, politicians, life, that sort of thing, as I do my impersonation of a right-wing fringe lunatic.... or maybe just a lunatic.



If that's not enough, I've got a fun bit of music for you today.



Now, pardon me, I have to keep working. I hear that DC did something else stupid over the weekend that I have to rant and rage against.

Fall TV? Already?

This must have been an interesting season of television in order for things to have gone so very, very strange. Usually, I don't get commercials for the new fall shows kicking around until August. That includes the mid-season replacements.



And while I liked more than a few shows this season -- and I'll review those a little later -- some of these look like fun. And between Arrow, Flash, Gotham, and Constantine, DC looks like it's going to go toe-to-toe with Marvel on television. You want to place money on who's going to win?

Coming this Fall.

THE FLASH  (The CW)





Oh, all right. Then there's the extended version.









GOTHAM (Fox)



This makes up for the poor, Smallville marketing Fox has subjected us to, lately.





GRACEPOINT (Fox)



It seems that Fox has decided to follow up on limited run series, after the 13-episode run of Sleepy Hollow. I'm only in it for David Tenant.





TRANSPORTER



I could never get into the series. And while I like Statham well enough, I was never his biggest fan. The tv show looks like fun though.







THE LIBRARIANS

This is a "Winter" release.... Yes, I liked the original tv films.  Yes, I'm such a nerd.

Suffer, Jim Butcher, Suffer

Author Jim Butcher, creator of The Dresden Files, is a fan of making his characters suffer.  His hero, Harry Dresden, is usually being beaten up, or having his home / office / car destroyed, and we won't even touch his love life. In fact, when a panel he was on at DragonCon was asked about making characters suffer, he leapt for the microphone, he was so eager to answer that.



When The Dresden Files was turned into a half-assed tv show starring Paul Blackthorne, it was a train wreck -- casting issues, scripting issues, money issues, and the issue that it looked nothing like the novels.



When something similar happened with author Clive Cussler's book Raise the Titanic! when it had been turned into a film, he later went to see Raiders of the Lost Ark, and wept, because that's what his movie should have been like.



And then this happened.







Somewhere, I think Jim Butcher might be crying a little inside....or going into complete homicidal rage. Either one....

Dissecting the Winter Soldier trailers

Well, yesterday was a little long-winded, wasn't it?



Today should be a little shorter.... yeah, no, probably not



Here’s my rundown of stuff you can draw from the assorted promotional materials.



Some of these are SPOILERS, you HAVE BEEN WARNED.



And some of these are ... well, they are MAYBE spoilers, bit and pieces collected from what we know of the Winter Soldier plot (covered yesterday) and the Marvelverse at large, and just plain old-fashioned speculation.



So, SPOILERS and SPOILERS...maybe.



In the words of Heath Ledger, here ... we .... go! [below the break]





Paranoia and conspiracies.



You may have noticed one or two things in the trailers posted yesterday that was a little paranoia-ish.If you didn’t pick up on this vibe, you weren’t paying attention. From shots of SHIELD’s arsenal to Cap beating up a bunch of agents in an elevator, it’s pretty obvious that the idealistic World War II hero is going to find himself pitted against the more modern intelligence community. Add to that a shadowy assassin (potentially the person Robert Redford is talking to when he says, “Your work has shaped the century”) and your story begins to take on the dimensions of major American myth.

 We've seen SHIELD on SHIELD violence. Fury being shot at, perhaps helicarriers firing on helicarriers, an airship crashing into the Triskelion, the Black Widow apparently on the run, out in the cold with Cap, a lot of images of SHIELD seemingly fighting itself and/or failing the people it’s supposed to be supporting. American-looking fighter planes chase the Falcon around the helicarrier. Cap argues with Nick Fury about SHIELD policy. Fury warns Cap not to trust anybody. Is that because the threat—whatever it is—is closer than Cap would like to admit?

And they have Robert Redford, ultra-leftist, in a Captain America movie ... how is he NOT the bad guy?  

The directors have insisted that this is a nod to 1970s paranoid thrillers like Three Days of the Condor, which was all about "the evil government wants oil!" So, Captain America will be running a lot.



Steve seems to spend a lot of time in these scenes walking around in civilian clothes—at least once, seemingly through a museum exhibit dedicated to his wartime exploits. The ensemble even includes the traditional hero-incognito baseball cap. But he’s still seen carrying the shield and getting shot at—and fighting the Winter Soldier—in that civilian garb.



Something else from the trailers....



Um....

Nyet, comrade. I suspect cameras are involved

Cap in love? 



Yes, that’s a set photo of Steve and Natasha making out.



No, I don’t believe it. Unless fanfiction writers have taken over this script. But the last Captain America movie was pretty darn romantic for a film with only one major female character. With Natasha giving Steve romantic advice in that early scene, it looks like she’s getting involved with his personal life. And while Natasha could have any of a billion reasons for that involvement, Steve is pretty straightforward with his emotions. If he falls for Natasha, he’s serious about it. And that can’t go anywhere good.



However, Sharon Carter, Cap's other love interest, is also in the film. So.... muahahahahaha.

The Falcon.

See that guy with the metal wings? That’s Sam Wilson, a.k.a. the Falcon, one of the first African American superheroes. In the comics, Sam was powered by the Red Skull with a fancy wing-suit and a telepathic link with birds, including a hawk named Redwing. and sent to kill Captain America. That worked as well as can be expected, and the two of them ended up best friends and partners. The relationship was notable at the time (the 1970s) for being something pretty close to a real partnership, too; while Steve was obviously giving Sam tips on superheroing, Sam held his own remarkably well in those stories, and wasn't nearly as stereotyped as typical portrayals of black characters from the same period (see: early Luke Cage). 

Also, Falcon started out wearing green and purple spandex, something that the actor actually said he wanted to try, instead of a flight suit, seen above. Obviously, this is a man who has never, ever been in spandex. Ever.

Anyway ...Steve and Sam routinely describe each other as brothers—a term Steve reserves for Sam, Bucky and a couple of war buddies, and that Sam uses only for Steve. While this Falcon is apparently a SHIELD agent rather than a creation of the Red Skull, he seems to have the same deep and instant loyalty to Steve Rogers. It’s good to see him up on the screen; this movie needs a rock like Sam Wilson.

Robert Redford.

As mentioned earlier, that’s Robert Redford. And he seems to be talking to Steve Rogers about the need to tear down an old world and build a new one … but is he talking to Steve? 

At one point, he’s heard saying, “Your work has shaped the century. And I need you to do it one more time.” Steve was pretty impressive in the war and everything, but shaping a century? That sounds more like a description of the Winter Soldier and his involvement in key assassinations throughout the Cold War. And with the role of spy-mentor already filled by Nick Fury, Redford’s character is looking more and more sinister... outside of being ROBERT REDFORD. Yeesh. He might has well have a neon sign over his head.



The best use of Redford would be as a red herring -- he's not the bad guy, will be the good guy, maybe even the best man of all, but I can't bring myself to believe it Cap’s got a long history in the comics of going up against bad guys in suits who seemed innocuous at first. Is Redford’s character the next in a long line?



The current theory is that Robert Redford is the Red Skull, older and Back! From! Spaaaaccceeee! after he pissed off the cosmic Rubix cube in the first film. Skull really enjoys mind-controlling, impersonating, and body-snatching people in power..  And Red Skull will always be Captain America's enemy. Even if he isn't on screen, he'll probably be in the background.



Oh, and the alphabet block from Hell has also played as a home for Skull's brain more than a few times. if the Red Skull did happen to be in there, the entire Avengers film probably would have woken him up. And SHIELD owned it for a bit, so .... bad things will happen.  Period.



Though it might be a touch too obvious.  But, still, Redford, evil.

Nick Fury having a bad day.

His car gets blown up and ripped apart by the Winter Soldier, SHIELD is going bonkers all around him, and Steve quotes “Fury’s last words” (which might be his last words before he apparently died, or just the last thing he said before disappearing). And someone with Fury’s skin tone is seen as a patient in an operating room. When ol’ One-Eye goes from running an international law-enforcement organization to being dead or missing, it’s a bad day for the free world, and a worse day for Steve Rogers. There’s even a scene that appears to show Natasha walking out of a congressional hearing about intelligence operations.

Fury’s major weakness is bureaucrats who can go over his head to get things done. How high do the bad guys go? And how low will Fury have to sink to beat them? Answer: as low as he can get. 

Also see: "Coulson kept his Captain America cards in his locker, not his jacket."  Yes, Fury is a m-fing BASTARD.

For the record, a spoiler: if Nick Fury "dies" in this film, he's going to get better. As in "you didn't touch me, sucka." The comic book Fury is so manipulative, this is a guy who has messed with every major superhero at least once, and didn't get his guts torn out -- this list included calm, relaxed folks like Wolverine.

Okay, let's look at a storyline caled Secret War -- no, not the one from the 80s, from the last decade.  Fury recruits every superhero in New York (ie: most of them) and brings them to Latveria to stop the Prime Minister from selling off all of Doctor Doom's technology to the highest bidder (Doom is temporarily in Hell at the time. Long story). Fury gets the heroes in, and assassinates the PM, and then mindwipes everyone so they don't remember it happened.

Later, when blowback happens and no one remembers why it's happening, Fury explains what happened.  Wolverine, who doesn't react well to having his mind messed with yet again, pops his claws and shreds Nick Fury.

Fury's robotic decory calmly answers, "Logan did you really think I'd be dumb enough to tell you this in person? I'm going off grid for a while. Bye."

Someone talk to the artist.

I think they enhanced ScarJo too much.

I don't mind, it's just that I can see it.

Black Widow.



Don't hold your breath on a Romanov/Rogers romance. Seriously, just don't.



The Marvel movies have been hinting around at the Black Widow’s history for a while now. From the effortless way she infiltrated Tony Stark’s life in Iron Man 2 to her loaded conversations with Loki and Hawkeye in The Avengers, she’s always come across like a complicated character with a long backstory.



Now she’s been promoted to second billing, right after Cap himself, and she’s in a lot of scenes in those videos. Most importantly, she’s the one seen telling Steve—reluctantly—about the Winter Soldier and his legend.



Are we finally going to get to see where the Black Widow comes from? Is the movie Black Widow going to have her own history with the Winter Soldier?



Since ScarJo is getting her own Black Widow film, I'm going to say.... not yet.



Agent 13

This isn't in the trailers, but Emily van Camp is listed in the cast of this movie as “Agent 13”, but she hasn't been seen except for that extremely brief shot of her in the UK trailer. Considering the huge importance of Sharon Carter in the Winter Soldier comics storyline, her absence is conspicuous. They're obviously going to have Sharon as a a surprise. 

So, Agent 13 is the neighbor for Captain America ... I wouldn't put it past the boys from SHIELD (read: Fury) to assign Cap a new best friend / lover / babysitter / spy.  After all, Steve has no friends in the twenty-first century, and doesn’t seem interested in making any. He apparently spends his free time alone in the gym. That kind of isolation is not healthy, so I wouldn't be surprised if SHIELD tried to set a valuable operative up with some “starter friends” to ease him into his new situation. 

The last thing SHIELD needs is a self-destructive superhero. Besides, why would Captain America have normal neighbors? Wouldn't they at least need to be vetted by SHIELD just to live in the same building?

For the record: I love the idea of Emily van Camp as Agent 13. Words can't express how much I like the idea. On Revenge, she's basically playing someone in a long-term, deep cover operation, maipulating people to self-destruction.  I've also seen her fight, and I've seen her wearing black versions of Agent 13's white body suit.

Who the BLEEP is the Winter Soldier?

So, this week comes writing a series on Captain America: The Winter Soldier.



First things first, here, from beginning to end, are the videos we’ve seen so far.



First is the initial trailer, from back in October:

Then the Superbowl trailer, with a cameo by the creator of The Winter Soldier, Ed Brubaker.

And TV Spot #1.

And another spot with the phrase "Fury's last words." Sam Jackson still has several contracted Marvel films... and Nick Fury has more life model decoys up his sleeve than an army of Phil Coulsons, so....

Then a clip that apparently spoils the end of the film.

Followed by a ton of Black Widow. I approve.  I heart Redheads.

Marvel UK's "Three Days of Captain America"

Then... even MORE Black Widow.  I want a movie, and I want it called "Black Widow: Budapest."

So, if you want to know what exactly all this is about, and why a lot of people kicking around the internet are interested in this film, well, let's take a look.

Step 1, day 1: Who the BLEEP is the Winter Soldier?

WARNING: HERE BE SPOILERS

This paragraph pretty much only exists to tell you to STOP READING NOW IF YOU DON’T WANT SPOILERS. Seriously. This is your last chance. 


Abandon all hope of surprise, ye who enter this blog. There is no meaningful way to discuss the Winter Soldier storyline, or the movie that’s arisen from it, without spoiling at least a few really big plot points. So if you've somehow avoided all the chatter about this movie so far that’s spilled the Winter Soldier’s identity and backstory, and you don’t want to know walking into that theater who he is and why he’s fighting Steve Rogers, then

 STOP READING RIGHT NOW.

And if you didn't see that coming, I'd be surprised.  


Now, then, where were we?

THE WINTER SOLDIER STORYLINE

To explain who the Winter Soldier is and why he matters, come with me now to those glorydays of yesteryear -- 2004 -- when Marvel Comics relaunched the monthly Captain America comic book with a brand-new #1 issue.

With crime-comic writer Ed Brubaker, the comic quickly established itself as a combination of superhero adventure and spy thriller. The story begins with a mysterious ex-Soviet general, Aleksander Lukin, killing a Russian agent sent to disrupt his plans.


Lukin then orders his men to give the body full funeral honors -- he's not a supervillain, he's actually something of a patriot and a soldier.

After that, Lukin meets with the Red Skull, who wants to buy some decommissioned Soviet super-weapons generally found in Cold War comics.


There’s only one thing Lukin won’t sell—a tank containing the shadowy figure of a man with a metal arm. Lukin says he won’t part with that unless the Skull is willing to trade the Cosmic Cube (the Tesseract, if you watch the movies), which can reshape reality. 


The Skull says that a) he doesn't have the Cube and b) he wouldn't give it up if he did, and c) soon he will have it again, blah blah blah world domination—it’s your standard Red Skull rant.

What are we going to do tonight, Skull? 

Fast-forward to five years later. At the end of the comic, after some scenes establishing that Captain America is having some personal problems and that the Skull has some big plan in the works--reassembling a broken Cosmic Cube and powering it up. 

We’re all very focused on the Skull as he takes a call on his cell phone while he’s fondling the Cube.... yes, sounds dirty, doesn't it? It's the Red Skull, he's a freak.  Anyway.

The phone call is from General Lukin from five years ago, making one last offer. The Skull turns him down flat, goes into his usual rant—

—and then suddenly has a fist-sized hole through his chest from a sniper’s bullet.

The Skull falls to the floor, dead. Lukin had made him an offer Skull shouldn't have refused.

A shadowy figure enters the apartment and takes the Cube from the corpse’s hand … at which point we see that the hand picking up that Cube is made of metal. Whoever was in the tank, he’s out in the world now. And he’s working for Aleksander Lukin.


From here on out, what looked like a story about the Red Skull trying to take over the world AGAIN becomes a story about Captain America trying to figure out who killed the Red Skull, and why, and why do we care, it's the Red Skull? Let him rot.



And then it becomes a story about the Winter Soldier.

SO WHO IS THE WINTER SOLDIER?

CSI: Marvel

Still a better concept

than Agents of SHIELD

It’s up to one of Marvel's other super-spies to who figures that out.

In the course of all the running around and spycraft in this story, SHIELD agent, and Steve's girlfriend, Sharon Carter gets captured by the Winter Soldier and used as bait. 

Cap’s already rattled by this point because Lukin has been using the Cube to mess with him from a distance. Cap’s beginning to doubt his own recollection of important battles and major events in his life, especially the day that his partner, James Buchanan “Bucky” Barnes, died and Cap himself was frozen in ice.

He’s just remembered a long-forgotten detail—that Bucky didn't get blown up because he insisted on defusing a flying missile, but rather because he got his clothing snagged while trying to jump free, as Steve ordered him to do.



Bucky died because Steve wasn't there to save him.

Hmm, wait, doesn't Retcon sound an awful lot like how Bucky bought it in the movie?  Hmm. Yes it does.



Did I see Brubaker's name in the credits for The First Avenger? Yes, I did.



Funny that.

So, Steve becomes Catholic, and incredibly guilty.

And then Sharon tells him that she got a good look at the Winter Soldier’s face … and she’s dead certain that he’s Bucky.



Hilarity, chaos, and complete and utter anarchy ensues.

Steve doesn’t believe it at first, but when he encounters the Winter Soldier in the aftermath of a terrorist bombing (which the Soldier set off), even he’s struck by the resemblance—even if the Winter Soldier is not:

Who the hell is Bucky? It becomes a theme.



THE PERMANENT CORPSES

Remember how long

this lasted?

Yeah, bringing Bucky back from the dead was a bit of a big deal.  True, people who die in comics don’t usually stay dead. It's standard comic-book death: Superman didn't stay dead. Two dead Robins have failed to stay dead. Jean Grey of the X-Men has died so many times that we've all lost count, and all stopped caring.

But there are a few exceptions. Characters who not only stay dead, they must stay dead, so the theory goes. 

Spider-Man’s Uncle Ben is THE classic example of this. If Uncle Ben isn't dead, Spider-Man isn't motivated to be Spider-Man.



Bruce Wayne's family?  They are going to stay dead, dead, dead. If they could become more dead, they would.

Bucky was one of those permanent corpses. His death, ret-conned into Captain America’s backstory when the character was revived in the 1960s, turned a World War II patriotic hero into a tragic figure in keeping with Marvel's five hundred other tragic figures.  Because, you know, you can't simply have a hero be a hero because he's a good man. Heaven forbid.



And, this being marvel, Captain America just had to have a tragic backstory.  After all, isn't the “man out of time” schtick good for just so long—eventually, he’d have to adjust to life in the “future” and he’d be just another superhero, right? But a superhero who’s constantly reminded of his greatest failure—that his partner, best friend, and surrogate little brother died because of the very screwup that made him immortal—that’s a story that fits in with everyone else's tragic backstory. Because this is the freaking comic book industry; even Superman has been ret-conned so he was given some similar trauma.



So, according to this accepted comic book wisdom, Bucky has to remain dead.

Right?

BUT WAIT, THERE'S MORE


It turns out there’s a way to make a warm breathing Bucky even harder on Steve Rogers than ice cold Bucky. It turns out that Bucky also got the Captain America on ice treatment; even though the missile took his left arm, the freezing water preserved his body.

Remember when Bucky fell from the train in the Captain America movie, and fell into freezing water? Yeah, there's a reason for that.

I'll take you all with one arm

Anyway, a Russian submarine picked up his body, thinking he might be Captain America. But they got the wrong hero on ice. A Soviet general named Karpov had the frozen corpse studied, during which time, the Soviets revived Bucky. Like Jason Bourne, he was missing most of his memories, but he could thrash anyone who got too close, even with only one arm.



Basically, Bucky makes Jason Bourne look like a pussy, especially when he's played by Matt Damon.



By this time, the Cold War was raging. Bucky had basically been a teenage commando, trained in wet work that Captain America wasn't let near with a two-foot tactical baton. So Karpov fitted Bucky with a metal arm and some basic Cold War 101 Ipcress brainwashing, and used him against American targets.

"They will never see me coming."

No, wait, they used that line.

But Bucky was too stubborn—the longer he was out of the deep freeze, the more his real personality tried to reassert itself. So, Karpov put his assassin into stasis between missions and reprogramming him on each awakening. They called him the Winter Soldier in part because of these regular deep freezes, and because Russia has always relied on "General Winter" to win a lot of their battles. When Karpov died, Bucky was put back on ice for a couple of decades—until he was found by Karpov’s protégé, Alexander Lukin.

And for Steve, this is actually worse than thinking Bucky was dead... because having your friend come back as a cyborg zombie assassin is pretty much nightmare fuel.



Steve knows that Bucky would want Steve to kill him rather than let him remain a zombie assassin. And as everyone in the story points out to Steve at some point, there's no Bucky under all that programming. He came face-to-face with Captain America, in full costume, and didn't recognize him. He didn't even know his own name:

It’s appropriate, then, that there’s one dissenting voice in the chorus of “just kill him already”. That voice belongs to a character who’s been controlled by the bad guys before, and who might be Captain America’s best friend in the present day—Sam Wilson, a.k.a. the Falcon.

So, let's save Bucky.

NEVER TRUST THE GENIE


Cap, the Falcon, and SHIELD track the Winter Soldier, and the superheroes go in before backup can arrive.

Because you don't want to see this

from the business end.

What follows is a running fight between Cap and the Winter Soldier. It comes to a head after Bucky expresses surprise that hitting Captain America in the head with a cyborg arm doesn't actually kill him, and Steve realizes that the ex-Soviet killer is still trying to kill people. This comes as a shock, somehow, and Steve challenges Bucky to shoot him in the head if he really doesn't remember their past relationship.

Luckily, Captain America can dodge bullets pretty well, and grabs the Cube.



And then, well …

There's an important lesson comic books can teach writers. It's that there is no easy answer to a problem. Ever.

Two things about the Cosmic Cube.



One, in the comic universe, you can touch it without being blown away.



Two, it's your standard untrustworthy wish-granting device, an old-fashioned jinn, or one of the fae. It will misinterpret pretty much anything you say, if it can. So, with only a second or two to make his wish before the Winter Soldier tackles him again, he goes with:

Sounds good, right? Impossible to screw up? Well...

Yup. This will end well.

PTSD level flashbacks.

NOTHING can go wrong here.

Turns out that suddenly regaining your real personality after being a cyborg zombie for 7 decades is not terribly good for your mental health.

Yeah. NO ONE saw that coming, right?



Oh, wait, everyone’s been saying this all along.



The Bucky grabs the demonic cube and then poof, all that’s left is a little pile of ash. To Sharon and the Falcon, it looks pretty simple: Bucky couldn't live with what had been done to him, so he killed himself. Steve is unconvinced.



And he’s right. For the next year’s worth of comics, Steve is alternately battling the Red Skull and trying to find Bucky. Yes, the Skull got better. Are we surprised?



THE REST OF THE STORY


Once Bucky has his memories back, he ends up doing some cloak-and-dagger work for Nick "I am a bastard" Fury and avoiding Steve, apparently because there’s no good way to have a conversation about how you murdered a bunch of innocent people, tried to shoot your best friend in the face, and then faked your own suicide.



And then Steve gets himself assassinated in Civil War.  If you don't know it, I've got a rant for that.



Along the way, Bucky runs into an old girlfriend... And Hawkeye is going to be pissed.  Apparently, Bucky and Natalia had a thing back when the Winter Soldier was a combat instructor for the Black Widow program. So there’s that.



And Bucky becomes Captain America, because someone has to be.

Alex Ross is a badass.

He's the artist.

The “Bucky Cap” stories focused on Bucky’s ongoing quest for redemption, his struggle to live up to Steve’s example, and his complicated relationship with Natasha. She acted as his liason with SHIELD, pointing him at trouble spots



The Bucky-Widow relationship was actually a lot of fun. The fact that Bucky and Natalia were both strong, complex characters with their own clashing agendas, but that they still clung to each other emotionally kept the story from ever degenerating into something that made one or the other secondary.



Then they killed Bucky AGAIN so Steve could resume being Captain America, just in time for the movie to come out.



Bucky, of course, gets better; he's too popular to kill now.



And, post-Avengers film, Black Widow has had Bucky mind-wiped from her brain, because fans liked her and Hawkeye in the film.



As much as I love the Marvel films, I hate it when it messes up the comic books.