Coming soon to A Pius Man, 2012

There are plenty of joys to writing. Not so much to writing a constant blog.  Possibly the biggest mistake thus far was trying to make the blog into a three day a week affair. I've kept up that pace for almost a year now, and I'm actually starting to run out of things to day. Which is odd, considering all of the strange and sundry things running around my head.

Right now, I'm trying to design a few things for the website, and I'm keeping my fingers crossed about several of them.


On the one hand, I'm hoping to make some more videos. If you haven't seen the ones I've made yet, well, I suggest you look to the right -- I had fun making them, perhaps you'll enjoy watching them. One example is right here-- the Scott Murphy trailer.

Since I can't draw, and none of local areas are photogenic enough to look like something in Rome, I need people.  Unfortunately, relying on people to show up when they say they will has never been my strong suit. Possibly because I've usually had to invite anyone three months in advance just to get them anywhere in large numbers.

So, there's that.

Next, I'm working on interviews.  I jumped on the chance to review some novels, and I recently discovered that they come with the option of getting my hands on some of the writers. And trust me, some of these people, I want to get my hands on.  I know some other authors who want to get their hands on these writers as well -- for completely different reasons.

So, that's also up in the air.

Not to mention that I'm also working on my two Examiner.com columns -- in Self Defense and "Catholic."

In short, I've got a lot of various and sundry stuff I have in mind, a lot of it is contingent on the the cooperation of other people, not to mention the stuff I'm actually being paid to write. (Speaking of which, please feel free to frequent those articles. I get paid per reader. Please?)

So .... I've got some strange and wondrous things planned -- now it's time to see who I can get my hands on and make sure it all happens.

Wish me luck.

Be well all.

Women in novels, and A Pius Man

On Monday, when I ripped a Tor Books blogger a new one, I wanted to go into an compare and contrast version of how to treat women in novels, mostly with novels I know, or novels I've written.



Then I looked at long long the bloody piece was, and decided to not bother.



After talking with Rebekah Hendershot yesterday, I've decided to go ahead and do just that.



Unfortunately, it's a hard to find a good beginning.  Seriously, where does one start?  With the fact that one of my favorite story of the Judges (biblical warlords) is a woman, Judith, walking into the tent of an enemy of Israel, and taking his head off, literally? Or, that when growing up, I found that the best part of Xena, Warrior Princess was not her leather outfit, but the glint in her eye right before she beat the hell out of everyone?



Do I start with Fr. Andrew Greeley, and his novels where the female and male leads had this tendency to save each other?



Maybe I could cover J. Michael Straczynski's Babylon 5, where the female leads practically dominate the series, and they have some of the best, strongest, most kick ass sequences -- usually without throwing a single punch, wearing clothing that's as revealing as your average monk's robes.



Perhaps I should start with the Irish mythology I grew up with, that had the belief that a woman was required for spirituality -- as in "a man could only go onto the afterlife after his woman drags him there, because otherwise the poor daft fool would probably just get himself lost along the way."



Or, perhaps I should just give my opinion in general, cite some specific examples, and move on.



Let's start with examples from the Tor article -- John Ringo's Ghost.  The premise is that a former SEAL, code-named "Ghost," finds himself in the middle of a terrorist plot, and literally gets dragged along for the ride. The blogger at tour uses Ghost's internal struggle between his instincts and his ethics (Ghost believes himself a rapist by nature, while on the other hand, he hasn't actually raped anybody, and he knows it's wrong), and the blogger uses that to paint all of John Ringo's work with one brushstroke.



However, looking in Ghost, the novel, we see multiple instances of women coming to the rescue.  During a firefight with the terrorists in question, Ghost only has a room filled with female college coeds for support. Of the course of one mission, he's saved by a gunship piloted by a female pilot (said pilot makes a comeback and also saves his but a time or two in later novels).  Sure, Ghost has problems, and the character knows that he has problems, and most of the character moment involves how his sublimates his own violent desires into something more socially acceptable ... which, alas, leads into sequences of more bondage porn than I ever wanted to read ... but the problem the character has is not a problem that John Ringo shares, and it's quite evident in practically every book Ringo has ever written -- even in later volumes starring Ghost.



And, of course, there is always Princess of Wands -- Ringo's novel where the hero is a tough, physically and spiritually fit, very beautiful and sexy .... suburban housewife who goes to church every Sunday, and married to the same man for years, with several children.



Like I said, Ghost's problem is not John Ringo's problem.



My point? In John Ringo's novels, no one is a passive participant. Even his civilian female protagonists make for strong characters, and are just as likely to pick up a gun and return fire, or throw grenades as needed.



With David Weber, another victim of the Tor hatchet job, his Honor Harrington character was criticized for  not having a sex life for multiple books.  Leaving out Honor's personal reasons for that (covered in the last blog), what the hell is a sex life supposed to add to a character, man or woman?



For the record: I don't write sex scenes. Period. My characters don't necessarily need to have a sex life. They're usually too busy being shot at.



In my novels, women are people, that they are women isn't all that special to me.  Of the main cast of A Pius Man, I have four women -- a secret service agent, a spy, an Interpol cop, and a forensic scientist.  Three out of four of them handle themselves well in combat -- two out of the three of them can give most of the main characters a run for their money.



In fact, I think the women are better action stars than my male characters -- Sean Ryan is the only main character who is overly equipped for combat (mostly through skill than through muscle). Giovanni Figlia has some combat experience, but he's mostly in a position of management, performing the job as detective and commander of the Swiss Guards. Egyptian cop Hashim Abasi is, literally, a member of a think tank. Scott Murphy, while he is a spy, can't even fire a gun well (which is why his trailer has him being knocked back by the recoil of his own gun).



Over the course of my life, I have found most women to be my equals, if not my betters. Of course, as I grow older, I have discovered that there are plenty of women who are screwed up, just in different ways than I'd expect.  But, in my books, I don't really have a weak female character. Ever. Man or woman, my characters can always find some sort of inner strength, even if it's pure, unadulterated stubbornness.  Though, as I think back on it, I think my female characters all have more combat training.



Are all of my female characters beautiful? They are in my head, though I don't know if they are on the page  For me, I find that there are few truly ugly women, and it usually takes effort.  I very often find that personality does make an appearance, and mar or improve the features. I'm told that none of the women I've dated have been beautiful, but, apparently, I've always managed to find something special in them. Give me time, I can usually find something in them that is lovely.



And, while on the other hand, there have been more occasions than I can think of where I have looked at a woman who is, superficially, quite attractive, but I can never really pass judgement if they're "beautiful" until they smile, or get excited about something -- even then, I concentrate more on the eyes. That's where I find the real beauty more often than not.....



And I'm starting to sound like a romantic sap, I apologize.  But that's pretty much how my brain works ... or doesn't. Is this a good thing or a bad thing? You decide.

Coming soon to A Pius Man, 2012

There are plenty of joys to writing. Not so much to writing a constant blog.  Possibly the biggest mistake thus far was trying to make the blog into a three day a week affair. I've kept up that pace for almost a year now, and I'm actually starting to run out of things to day. Which is odd, considering all of the strange and sundry things running around my head.



Right now, I'm trying to design a few things for the website, and I'm keeping my fingers crossed about several of them.





On the one hand, I'm hoping to make some more videos. If you haven't seen the ones I've made yet, well, I suggest you look to the right -- I had fun making them, perhaps you'll enjoy watching them. One example is right here-- the Scott Murphy trailer.



Since I can't draw, and none of local areas are photogenic enough to look like something in Rome, I need people.  Unfortunately, relying on people to show up when they say they will has never been my strong suit. Possibly because I've usually had to invite anyone three months in advance just to get them anywhere in large numbers.



So, there's that.



Next, I'm working on interviews.  I jumped on the chance to review some novels, and I recently discovered that they come with the option of getting my hands on some of the writers. And trust me, some of these people, I want to get my hands on.  I know some other authors who want to get their hands on these writers as well -- for completely different reasons.



So, that's also up in the air.



Not to mention that I'm also working on my two Examiner.com columns -- in Self Defense and "Catholic."



In short, I've got a lot of various and sundry stuff I have in mind, a lot of it is contingent on the the cooperation of other people, not to mention the stuff I'm actually being paid to write. (Speaking of which, please feel free to frequent those articles. I get paid per reader. Please?)



So .... I've got some strange and wondrous things planned -- now it's time to see who I can get my hands on and make sure it all happens.



Wish me luck.



Be well all.

FAQ: Where do you get your ideas?

I've touched on this briefly during the series on how I created A Pius Man, but, apparently, the question many authors are besieged with is “How do you come up with your ideas?”



Short answer: formal viewpoint. Or a functional mentality.



For example, last year, I saw Forbes Magazine with cover article about how al-Qaeda was losing money, and it suggested that Osama "needed a new business model."



I can not make this stuff up.



The point is, people look at things from a “formal viewpoint.” I would look at a large pile of money and think of where a character would hide it. An accountant would probably count it all. A pyromaniac would look at it as stuff to burn.

[More below the break]



In my case... to use an example, in 1998, my family went to London and stopped off to see the Crown Jewels. Everyone else stared at the jewels. I went and looked at the security. I didn't take notes, since I didn't want to be thrown out of the Tower of London by the fastest possible route [the jewels were a few floors up]. The British Museum got the same treatment from me -- The Elgin Marbles from the Greek Parthenon had their own wing.... so, if the Greeks really wanted them back, they could steal them with a few construction helicopters and just airlift the whole wing—the Israelis did that with an Egyptian radar tower once to great effect.



Basically, it's a matter of looking at things from a certain viewpoint. I suspect that if I go see the Mona Lisa, the majority of my time will be pondering how someone could disable the security guards, the electronic surveillance, and walk away with a few paintings from the Louvre. Though the answer would probably be to steal something from the basement storage area—less security, without the individual alarms on every piece.... hmm, now that's an idea....can someone scan for Semtex at the entrypoint to the Louvre? Hrm...



The sad thing is that the above was really thought up as I wrote it.



I created one character because a teacher in high school, on the first day of class, said “I'm a wanted terrorist. I've been hunted for 19 years.... I can kill you with two fingers.” He was the creative writing teacher, so we went with it....



And I wondered... “What if he was telling the truth?”



He's in a back pocket somewhere, for when I get around to writing that novel. The annoying thing is, I have it outlined....



Some, like Harlan Ellison, have described writing as a compulsion, and that's because that's how we seem to be wired. Be it the Tower of London or the British Museum, writers wonder how we can do something with where we are, what we're doing, some little factoid we picked up, or a stray comment.



I don't think I've ever gone to someplace and not wondered how to blow it up, shoot it up, or what would be required to do something like that.



Rebekah Hendershot, author of Masks, described a similar experience when creating her book: “Why doesn't LA have any superheroes?” Answer: “Because something killed them all. And it's still here.”



With A Pius Man, Scott “Mossad” Murphy came out of the mass of Evangelicals flocking to Israel after 9-11. What does Israel do with all of these meshuge goyim? And what do you do with them if they want to join the military, or even the intelligence services? Answer: the goyim brigade—Mossad agents who not only "don't look Jewish," but aren't.  Murphy was just a throwaway character I had come up with to use “someday.” He had literally been shoved into a notebook and left there for three years. I had used him once as a supporting character in one book, and all but forgot him. Later, he came in handy.



And that's why writers have notebooks—to keep track of all the random neurons firing off with ideas. You never know when there's going to be something that comes in handy. Stephen King supposedly has a trunk filled with notebooks of ideas past.



So, if you ever think that a writer is odd, well, they are. They look at things from different points of view—if only because they have to be able to see things from the points of view of different people as they write them. Stephen King writes about things that scare him... and that seems to be everything... the author of Rebekah saw how much LA had been shortchanged of superheroes and decided to explain why. I think up various and sundry ways to kill someone with a ballpoint pen (I'm on nine).



That's how we find ideas. We're wired to.



But then again, who'd go into this profession if we weren't?

The Videos of A Pius Man

Thus far, anyway.



I was wandering through the video section of the APM Facebook page, and I realized that I haven't done a video trailer for ... a while.

If you're relatively new, you've probably never seen any of the trailers.  Unless you're really diligent in spelunking through the FB page, then you've probably come across them.

This is where I've collected the ones done thus far.

This wasn't the first one, but it was a remodeled version of it. I cleaned up the typeface a little, and I think the visuals are spliced together better.

The images are obviously not done by me. Anyone who's found the Vatican Ninja images I've done will notice that.  They're from a lot of books that take one side of the Pope Pius XII argument, such as it is. And, just maybe, a Dan Brown novel.

I'm subtle like that.

And then, then there were the character trailers.

[More below the break]

Characters answering surveys: Scott "Mossad" Murphy

Have you ever gotten an internet survey?  It has strange questions like your favorite foods, and flavors, that sort of thing.

Ever wondered what would happen if you had a novel character answer one of those?

I decided to have a little fun this week, so I decided to fill one of them out last week as my character Sean A.P. Ryan, mercenary, security expert, and weapon of mass destruction..  You've seen him mentioned on the sight, you've probably even read some of the short stories, including his "origin".

This week, I'm working on Scott "Mossad" Murphy, who you've also seen around the site a few times.

Yes, I'm a strange, strange person.....

***********

Building Character: Scott "Mossad" Murphy.

**Spoiler alert.  Be sure to read O Little Town of Bethlehem and Tinker, Tailor, Goyim, Spy before reading the blog.**



Two of the short stories posted on this site have, thus far, been about Scott “Mossad” Murphy.  Mysteriously, they all seem to fit with the end product of Murphy in the novel. I think it helps that I essentially wrote a short biography for Scott, like I have for all of my other characters. The character becomes alive in my head, and all I need to do is drop him into a situation and let him play.



Though it wasn't until I wrote Tinker, Tailor, Goyim, Spy that I realized how much of a stiff Scott really was. But, then again, I don't know too many party animals who want to be accountants when they grow up.



And by the time of O Little Town of Bethlehem, I only just managed to hint at Scott's isolation. Not only did he not fit in anywhere in Israel, even his own office, he had just killed or arrested most of the people he had spent the previous three weeks with. At that attrition rate, it's hard to keep a long term friendship going.



And then I started considering how much the character of Scott Murphy fit with the end product in the novel.  Despite all of the new things I discovered about his character, and the more his past has developed in front of me, the puzzle pieces of his life still fit together.

[More below the break.]





Tinker, Tailor, Goyim, Spy

This story wasn't that hard to come up with. I had Scott's origin story in mind from day one. But it was just easier to tell it from the point of view of anyone but Scott, especially since the last sequence looks much more impressive if you don't see how that particular magic trick was done.



And, as always, there was the problem of politics in regards to intelligence work-- not only between the government and Mossad, but the internal politics as well. Hence telling this tale from the point of view of Mossad Chief Imi Morgenstern (one part Imi Lictenfield, creator of Krav Maga, and one part Amy Morgenstern, one of my Krav instructors).



One of the things I had to change about Scott was his age. When I wrote A Pius Man the first time, 2011 was the future. Things that were high-tech at the time can now be gotten as an app on the iPhone. Under the original rubric, where 9-11 happened when Scott was in college, at current rate of speed, Scott would be in his mid-30s by the time the book is published. So I had to make him younger.



Surprisingly, it fit better.



The Scott Murphy of my novel is smart enough to never need a gun, avoid every firefight, and plan in such a way that his plans are the weapon. So why shouldn't he have skipped a year or two of school? And if you're a workaholic, who had finished college courses in high school, college is not that difficult with a full courseload during every possible session. And being a workaholic is a good survival trait—he harder he works, the faster he could get out into the real world. Why? Because Scott had never been described as “attractive” in any physical sense, so he's isolated by looks, by youth, and by intellect (I know something about two out of three of them); the real world had more options for him. The faster he went through school and started reality, the better.



And then 9-11 happened.



To quote Isaac Asimov, beware the wrath of a patient man.



Murphy is very patient.



So, making him younger fit in with the character. He was able to join Mossad after 9-11 to become the first member of the Goyim Brigade, and still stay in his twenties by the time A Pius Man (hopefully) gets published.  If the book takes too much longer, 9-11 will have to happen when he's still a teenager.  His career choice of "accountant" will have to be because his idea of fighting terrorism is to defund them, and steal their money with a pencil instead of a bank heist.



But that's one rewrite I'd like to avoid.

O Little Town of Bethlehem



This was made up completely from wholecloth. I was originally going to do a Sean A.P. Ryan Christmas story in California, entitle it Coyote Christmas (little yappy dogs being fed to a coyote was part of it), but it didn't really mesh together well. Trying to make Sean appear neutral as opposed to violently deranged (in a bad way) or in some way heroic was too much to ask.



As far as A Pius Man is concerned, Sean's alignment is Chaotic Neutral when the book opens.



So, what to do for Christmas? A time of peace and love with a story that starts in Bethlehem …



Oh, wait, Bethlehem is near Scott.



Yee haw.



I threw Sean A.P. Ryan into the opening because all intelligence work starts somewhere, and sometimes with people who are not the nicest folk on the planet. Which is why the interrogation starts with someone hanging upside down off the Empire State Building. Because it's one way to get someone's attention. And, I can keep Sean looking neutral by doing something morally ambiguous while not outright vile. Jack Bauer did more to suspects on 24, and he was the good guy. However, Sean does have this amazing apathy when it comes to what happens to his enemies, hence the “Oh well, if he beat me to the ground floor, I know I didn't attach the bungee cord.”



For the middle of the story, I wanted everything to look like it was going to go straight to Hell. So it would work best if I just showed it from the terrorists' point of view.



And for the end of O Little Town of Bethlehem, in addition to a wrap-up section that would explain how Scott managed to make everything happen, I had little hints of how cut off he is. He's working on Christmas morning, and he has nowhere else to go.



This still fits. I had put into A Pius Man an offhand comment about times he had spent with women who the Mossad used in honey traps. They gave him details on wooing, and seduction, and other activities he wanted nothing to do with. Given Scott's unbending nature, that lesson plan may have had to start with several of those women tying him to a bed. The rest of the events would be as funny as hell … it would have an NC-17 rating, but it would still be hilarious.



By the time of A Pius Man, Scott Murphy will have been a spy for years. He is isolated from the outside world by being a spy. He's isolated from the Mossad community by being a goy. His work will be his life.



And then, one day he gets called to Rome … And then the fun starts.

O Little Town of Bethlehem, A Christmas Story.

Sean A.P. Ryan -- mercenary, madman, and enthusiastic worker of mayhem -- has a rigorous interrogation of an arms dealer in New York.  Information changes hands, and the clock starts ticking down to Christmas Eve.  Bethlehem is about to have a very bad Christmas, unless someone can stop it.



But the terrorists have a bold, creative mastmind behind this plan.  And nobody can stop what he has in mind. 



Thankfully, there are plenty of Nobodies on call.



For the record:  I may have gotten too colorful with the scene breaks -- Scribd can't seem to decide whether or not to show them, so I've tried to fix them. Hopefully, it'll stay fixed.



Enjoy.





O Little Town of Bethlehem